Fatman, the Human Flying Saucer #1

Người đăng: lecuongle on Thứ Sáu, 29 tháng 4, 2011


Of all the weird titles launched at the end of the Silver Age, this has to be one of the strangest. Milson Publishing (aka Lightning Comics) appeared in 1967, published three issues of this comic and two issues of Super Green Beret, then vanished into the mists. The book did have some sterling credentials behind it, as the creative team was Otto Binder and CC Beck, the men responsible for Captain Marvel in the Golden Age.

Fatman is something of a composite of Captain Marvel, and the other overweight hero of the 1960s, Herbie. Does this ring some bells?

But we quickly learn that Van Crawford has powers and abilities far beyond those of mortal men. Via a flashback, we learn that he was bird-watching one day, when he spotted a flying saucer about to crash. He demonstrates that some of his powers were innate to his avoirdupois form:

As the saucer lands on the tree he knocked down, it changes into an alien. It turns out that it was just testing him to see if he was a suitable candidate for super powers. Sure enough, he passed, and the alien gives him a potion that allows him to turn into a flying saucer at will. He later learns that he can change back just by speaking his own name, much like Captain Marvel could change back to Billy Batson by saying "Shazam!"

In the first issue, he battles some crooks who use jets for their getaways. This makes the "change into a flying saucer" routine useful. Like many superheroes, he gains powers as needed by the script:


And when he encounters a sea monster:

In the third story in the comic, Fatman picks up an ally in the war against crime: a beanpole teen named Lucius Pindle who wants to be stronger. He tries exercise, but he can't even lift a barbell. He tries mixing up a formula in his chemistry set, but it just leaves him with a bad aftertaste. Finally he tries a spell from a book of magic and presto:

At first, he has great fun with his powers as Tin Man, but when a lightning bolt hits him he runs amok. So Fatman assumes he's a villain, and they have a classic Marvel-style battle until Tin Man speaks his own name, causing him to change back into Lucius Pindle again. (Shades of Captain Marvel!)

In the final story, Tin Man battles the sea monster in what appears to be just a friendly match, refereed by Fatman. And for a moment, the monster agrees to join their team, but then:

And that's basically the end of the comic, except for a promise that the next issue will bring some major villains:


Comments: Amusing and lighthearted intro to the series. Why didn't it succeed? I suspect there are several reasons. First, the title is off-putting. The publisher probably thought that noting that the book was produced by the creators of Captain Marvel would overcome this, and it may have gotten some of the older fans interested enough to buy it. But for kids like me, Captain Marvel generally drew a shrug. He had last been published in 1954, and none of his adventures had been reprinted. Most of us only knew him from a line in the Beatles' song, Bungalow Bill. Second, the price point of 25 cents was a little steep for a new character. And third, I suspect they just missed the market by putting this out ihttp://www.blogger.com/img/blank.gifn early 1967, when all the other publishers had jumped on the superhero bandwagon by 1965.

Update: Booksteve comes by in the comments and notes that the Bungalow Bill song wasn't released until 1968, so I probably would not have heard of Captain Marvel by the time this comic came out. He adds:

I remember I knew who CAPTAIN MARVEL was but I don't know how. I remember very distinctly though that I had heard of him and the "Shazam" thing but...how? I know I'd never seen any of the comics.


Perhaps I can answer that. There was one very well-known TV character who used the word "Shazam!" a lot back in the 1960s.
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1528 - Destination Haiti

Người đăng: lecuongle


 Update 4th May: New links for D-231 (1000 px width) are added in 100th post.
*************************
Writer: Claes Reimerthi

Artist: Kari Leppänen

1528 - Destination Haiti (NEW LINK)

Scanned, edited & uploaded by "Laki"
Courtesy: Kit walker 

All credits go to both friends.








Egmont  Cover
Fantomet #26 - 2008
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1404 - Eye of the Hurricane (Phantom Year One)

Người đăng: lecuongle

Story:    David Bishop
Art:    Kari Leppänen

Scanned, edited & uploaded by "Laki"
Courtesy: Kit walker
All credits go to both friends.
 
 
 
 
 
 
 
 
 
 
 
 
Egmont cover:
 
Fantomet #26 - 2004
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1345 - Treasure of the Astecs

Người đăng: lecuongle

Story:    Ulf Granberg
Art:    Jaime Vallvé

1345 - Treasure of the Astecs

Scanned, edited & uploaded by "Laki"
Courtesy: Kit walker
All credits go to both friends.
 
 
 
 
 
 
 
 
 
 
 
Egmont Cover:
Fantomet #13 - 1976
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D231 - Chatu's Fate

Người đăng: lecuongle on Thứ Năm, 28 tháng 4, 2011


On April 28, 2011 The fans of the Phantom & Mandrake celebrated the 100th birthday of Lee Falk.

Yesterday 2 new scans of Indrajal Comics (1 Phantom & 1 Mandrake) were posted at Mega Indrajal blog along with a scan of Falk's autograph.

Thanks to Chatur Cheeta, today we can enjoy D-231. All credits go to him & original uploaders.


Start Date: December 13, 2010
End Date: 7 May, 2011
Duration: 20 weeks
Writer: Tony De Paul
Artist: Paul Ryan


As usual adding this strip in 100th post.


100th post

Note: The strip is complete including the strips yet to be published on 30th April till 7th May 2011.

3 Frew Comics are coming today. The celebration continues.......
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Oh, I'm a Lumberjack and I'm Okay...

Người đăng: lecuongle on Thứ Tư, 27 tháng 4, 2011

For some reason, the writers, artists and editors of Superman found this image of the Man of Steel cutting down trees compelling:

There are quite a few more examples and I will add them as I find them. Here's an early one from Adventure #184:

The earliest one I've found so far is this one from Adventure #110, although it's somewhat different from the others in that Superman hurls a spinning circular saw at the trees:

Either way, it's apparent that Kal-El would not find himself welcome at a meeting of the Earth Liberation Front.

Update: Bryon in the comments points us to this dueling lumberjacks panel from Superman #199:


Update II: Another example from Superboy #106, pointed out in the comments by Dave:
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Super-Swipe #8: The New Parents

Người đăng: lecuongle on Thứ Hai, 25 tháng 4, 2011

Here's another one that's pretty easy to spot:


In both stories, a trouble-maker has advised juvenile court that Superboy is without parents. In both cases, Superboy tells the judge that he does have parents but he cannot reveal them without jeopardizing their safety. The judge is all set to send the Lad of Steel to a state home for boys, but fortunately for the town, there is a way out:


In both cases, the adopting couple intend to use Superboy to get rich, although not in the same way. In Adventure #176, Mr Smirt wants his new son to advertise a sale at his store (which competes with Pa Kent's). In Adventure #281, the Hurds intend to turn their residence into Superboy Land:

Superboy gets his newly adoptive parents to regret choosing him in similar ways:


And:


And in both stories, the judge comes to a sensible decision when Superboy points out that there is no proof he's a minor:

I find it interesting that in the reprise, it's a committee of local citizens who claim Superboy is an adult. Perhaps this is because of Weisinger's insistence that Superboy never tells a lie?
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Tarzan Sunday Strips by Russ Manning - S22 to S25

Người đăng: lecuongle on Thứ Bảy, 23 tháng 4, 2011



 
 




 
These are from Sumit's e-collection. All credits go to him.
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A Letter from Yoe

Người đăng: lecuongle

I happened to be browsing through Adventures into the Unknown #174 (the last issue of that terrific title) today and found a letter from Craig Yoe:



I tend to agree with Craig; the earlier issues of Adventures Into the Unknown were a little too reliant on the supposed shock value of vampires and werewolves. It's interesting to see that (editor and chief writer) Richard Hughes admits to publishing a few stinkers.
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Kookie #1

Người đăng: lecuongle on Thứ Ba, 19 tháng 4, 2011


The beatniks were a source of endless amusement to the mainstream media in the late 1950s and early 1960s, much in the way that their descendents, the hippies and the Goths, would be later. The stereotype of the beatnik is pretty much apparent on the cover: berets, long (for the times) hair, unkempt beards, patched clothes and imaginative footwear. Bob Denver played a beatnik on Dobie Gillis (before he became Gilligan). Snapper Carr got his nickname because he snapped his fingers, much like beatniks did in lieu of clapping their hands.

So it was not particularly surprising that the comic found its way onto the newstands in early 1962. Kookie herself is not a beatnik, she's a sweet young woman who works in a coffee shop apparently frequented by the beat crowd. She has dreams of making it big on Broadway, but like all aspiring actresses, she's dirt poor and has a roommate, the rather plain-looking Clara.

In the opening story, Clara can't sleep because of all the bongo-playing (another beatnik stereotype):

She wakes up late for work and hurries out the door. But her neighbor wants her to try on his latest creation:

But she can't get the ring off her finger, so she hurries to work with the jeweler following. When she gets to Mamma Pappa's (the coffee shop), the proprietor of the same name solves the problem:

By the way, despite the cover image, it does not appear that the male beatniks are immune to Kookie's charms:

A wealthy couple comes in, slumming it:

Later, Kookie delivers a cup of coffee to a sculptor, who uses it to soften the stone he works on:

He decides to let Kookie deliver the final blow. No particular surprise, the statue falls apart.

The second story is a little more amusing. Kookie has been offered a role in an off-Broadway play!

It turns out the houseboat is sinking, but that doesn't matter, as the play is about a young couple struggling to keep their heads above water. But the boat has sunk, and so they won't be able to stage the play until the tide goes out.

There follows a second feature called Bongo and Bop, about two beatniks who decide to go into a park to see what this fresh air stuff is all about. Once they get a whiff of the stuff, a change comes over them:

But when they step out of the park, the exhaust fumes from a bus overwhelm them and:

The final Kookie tale has her worried about walking home from the coffee shop, because Mamma Poppa's landlord has been harassing her. Mamma comes up with a solution: she can climb up a fire escape and take the rooftops home. But:

Now that makes no sense at all. Overall, I found the issue moderately amusing, with the Bongo and Bop story standing out as the best in the issue. Kookie made it to a second issue, but then disappeared for good.
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(Frew) 1598 - Sister Steelfist

Người đăng: lecuongle on Thứ Bảy, 16 tháng 4, 2011

Writer: Tony Depaul
Artist: Cesar Spadari
 

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Scanned & edited by Kit Walker.
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