I'm Sure You've Heard This Before....

Usual comic book serendipity thing.  I was poking through some back issue bins at the local comic shop and I came across some issues of a comic called Myth Adventures, liked the cover art and picked a few up.

So I'm reading these stories and really getting into them and I thought, hmmm, let's look up the artist, Phil Foglio, on Wikipedia.  So I did and saw he had a series in collaboration with his wife on-line, called Girl Genius, and started reading....

And four hours later I decided I should link it.  Holy crap, this series is so much fun.  It's not like I can claim to have discovered it; I suspect most of you have been reading it for years.  But if you haven't, you definitely have to go check it out.  The art has the perfect humorous style, and the story... well I've been reading it for four straight hours and am absolutely transfixed.

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676 - D149_-_The Castle in the Jungle_-_1965-07-28_(8115)_to_1965-10-16_(8184)_-_70_days

Here is the latest reprint of a Tarzan daily strip story, coutesy Emile. This had also been reprinted in a comic book in India, which had been posted long time ago in this very same blog.

Download the story here and shower your thanks on Emile.

Enjoy

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Angel & Ape #2

Of all the quirky titles that DC published near the end of the Silver Age, this must surely be the oddest.  Well, side from Brother Power the Geek.  This happens to be the only issue I own; I don't think I've even read another.

The talent is certainly first-rate: Sergio Aragones on the script and art by Bob Oksner and Wally Wood.  Oksner is probably the least-known today of that trio, but in the 1960s he was DC's go-to guy on humor.

Apparently the premise of the series is that Angel O'Day and Sam Simeon are partners in a private investigation office, although in this issue there is no evidence of a client; they more or less function as law enforcement.  Sam has another job on the side; he's a "cartoonist" for Brain Pix Comics, where his boss is the wacky and devious Stan Bragg (obviously intended as a parody of Stan Lee).

The plot is pretty simple: Someone has convinced the Bikini family (a group of circus performers with larceny in their hearts) to combine their forces:

They kidnap Angel and thus Sam must rescue her.  But first he has to deal with the self-promoting Stan Bragg:

An early reference to the fact that Stan didn't do much of the real "writing" at Marvel?  Sam quits and decides to try his luck at DZ Comics:

But Stan comes up with an ingenious plot to win Sam back:

Stan's assistant convinces Sam to stay at Brain Pix in order to atone for the "death" of Stan.

Some of the humor in the series comes from the fact that very few people seem to realize that Sam is an ape:

Angel leads the circus crooks to Brain Pix's building, where she and the cops make short work of them:

The noise outside is enough to wake the dead:

Overall the issue is amusing, if not quite laugh out loud funny, and the artwork is terrific.

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Swiped and Then Swiped Again

Mort Weisinger's enthusiasm for swiping story ideas from earlier issues of Superboy does not seem as high as it was for Adventure Comics, but here's a pretty impressive example of a double swipe.  For starters, here is the cover to Superboy #52 (October 1956):

And Superboy #85 (December 1960):

As you can see, in both cases, Superboy is startled to discover another super-powered boy on an alien planet. He changes into civilian clothes and confronts the lad:

The other boy comes from a startling place:

Clark realizes how the other boy got his powers:

So it looks like Superboy is finally going to have a super-powered buddy.  But as they start off together, something happens:

Superboy eventually realizes that it's his presence that is causing the other superlad to lose his powers, and thus he must leave, resulting in a sad ending:

Weisinger recycled that ending in Superboy #87 (March 1961), in a Krypto story.  Krypto rescues a beautiful female dog:

You've gotta love that he calls her Toots. She doesn't have super-powers, but it turns out that Krypto knows where she can get some:

And so she drinks from the pool and becomes super. Unfortunately:

Krypto soon realizes that he is no longer super when near Kolli, and so we get the same ending as in the two Superboy tales:

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675 - Some Flash Gordon Sunday strips

Courtesy, Emile, we have some Flash Gordon Sunday strips. S176 was the last Sunday strip drawn by Dan Barry (the brother of Sy Barry, who drew the Phantom). S177 was a reprint of an earlier Dan Barry comic strip. S178 thru S188 was drawn by a group of Latin American artists.

Starting with S189, King Features got a new artist Jim Keefe to do the artwork for the Flash Gordon Sunday strips. While remaining faithful to the creation of Alex Raymond, Jim did bring his own touch to the strips.

Here are the original links from Emile:

S189 - Demon From the Dark Dimension - 1996-01-21 to 1996-04-21 - 16 Weeks.zip

S190 - Nightfall on Mongo - 1996-04-28 to 1996-08-25 - 18 Weeks.zip

S191 - The Way it Began - 1996-09-01 to 1996-09-29 - 5 Weeks.zip

S192 - The Return of Ming - 1996-10-06 to 1996-12-22 - 12 Weeks.zip

S193 - Duroks Revenge - 1996-12-29 to 1997-05-11 - 20 Weeks.zip


Enjoy the stories and shower your gratitude on Emile.

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Mort Weisinger's Idea of Funny

What the? From Superboy #72 (April 1959):

Why would he put that postscript in there?  He had to know that there were plenty of Superboy readers who were still at the age where they believed in Santa.  It's hard to come up with a reason other than the obvious; that Weisinger was a first class jerk.

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A Wink from Clark

Reading through the Silver Age Superboy, I noticed how many stories ended with this:

The winks tend to happen at the end of secret identity stories; I'm sure there are plenty of examples in Superman as well.

This is somewhat akin to the "Ending with Iris" bit in the Flash, and the "Bah!" responses from the Joker; a way of letting us know the story is over.

Update: Kirk House points out in the comments that the practice of ending the story with a wink from Clark may have originated with the Superman cartoons of the early 1940s from the Fleischer studios.  Here's the first one in that series, which does indeed end that way:

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