Al Plastino and JFK, 50 Years Later

Người đăng: lecuongle on Thứ Năm, 28 tháng 11, 2013

I wrote many years ago about the famed Action #309 issue, where Superman divulges his secret identity to President Kennedy so the later can impersonate him (as Clark Kent) at an event where both Supes and Clark are both expected to appear.  Horrifically for DC, the issue appeared on the newsstands a full month after JFK was assassinated, although (obviously) it had been scripted, drawn and sent to the printers before the events in Dallas.

I also noted that DC had another story featuring JFK in the works at the time, which they had pulled from publication, but after urging from his successor Lyndon Johnson, they published in Superman #170, with this note at the end:

Well, turns out that Al Plastino died on Monday, and there was an additional story:

Controversy arose when the original artwork was found up for auction 50 years later -- not in the library as originally planned. Plastino asked a New York state court to release the name of the person who sent the artwork to auction in an attempt to retrieve the piece and ensure its public display. "I do not want anyone to feel sorry for me. I just want the right thing done here and to be treated fairly," he wrote in a Facebook post to fans. The auction has been removed from the schedule, but the fate of the famous Kennedy comic remains up in the air.
 Further details here:


Plastino believed the artwork was supposed to have been donated to the planned Kennedy Library in Boston 50 years ago, the same year Kennedy was assassinated, according to court documents.

Plastino was surprised to learn recently that it was scheduled for auction on Friday in Beverly Hills, California. Heritage Auctions has since pulled the artwork from this week's sale, said Heritage spokesman Noah Fleisher.
Given that original art comic pages commonly go for hundreds of dollars, and that this particular issue would be regarded as particularly historic (especially with the auction coming near the 50th anniversary of Kennedy's assassination), it would certainly appear that Plastino had a legitimate issue (as might the JFK Memorial Library).  However, the current owner has a defense:

"Heritage policy is not to publicly discuss pending litigation," Fleisher said in a prepared statement. "I can tell you, though, that our consignor bought the artwork at a Sotheby's auction and we withdrew the artwork weeks ago as soon as we learned of the dispute and have returned the item to the consignor." (bolding added for emphasis)
 Kudos to longtime commenter and emailer M Hamilton for finding this.
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#651 - (7811-7892)_TarzanandtheQueenofDiamonds_(1964-08-07_to_1964-11-10)

Người đăng: lecuongle on Chủ Nhật, 24 tháng 11, 2013

I present here the latest reprint of a Tarzan strip. This was sent to me by Emile.









Emile is one of the most selfless sharers of comic strips, and I feel honored that he considers me one of his friends.

Here is the original link sent by Emile.

Download from the above and shower your thanks on Emile.

Enjoy,

Venkit.
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#650 - A Tarzan daily strip by the late Nick (Nicholas Viscardi) Cardy (October 16, 1920 - November 3, 2013)

Người đăng: lecuongle on Thứ Bảy, 9 tháng 11, 2013

LEGENDARY COMIC BOOK ARTIST NICK CARDY PASSED AWAY AT THE AGE OF 93.

Here are some more links to some of his work.

His comic book credits at Bails' Who's Who:
http://bailsprojects.com/bio. aspx?Name=CARDY%2c+NICK

Some of Cardy's handiwork on display at
http:// diversionsofthegroovykind. blogspot.com/2009/02/famous- first-fridays-bat-lash.html. and
http:// diversionsofthegroovykind. blogspot.com/search?q=cardy

He did do a few comic strips during his career.

Lady Luck in 1941-42 for The Spirit Section:
http://www.nickcardy.com/ ladyluck.php3

The daily Tarzan comic strip in 1950:
http://rocbo.lautre.net/illus/ tarzan/nick_cardy.htm

Casey Ruggles in the early 50s (dates vary).

Helped his friend Al Plastino with
Batman and Robin the Boy Wonder  ca. 1968 - 1970.
http://www.comicartfans.com/ gallerydetailsearch.asp?aty= 10&gcat=3563&GSub=30202

EMILE, in his own inimitable way pays homage to the artist by sharing one of his Tarzan strips. Download from his original link,

Story #1 (started by Paul Reinman: Part I) and ended by Nick Cardy (Part II):



Enjoy and shower your thanks on Emile.

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Say Hello to:

Người đăng: lecuongle on Thứ Sáu, 8 tháng 11, 2013

Unforgettable Sights of a Paper World, a blog about comics from Antonio Gatti, an Italian comics blogger (don't worry, it's written in English).  It's interesting to get a foreigner's perspective on the Man of Steel.

Here's a review of the terrific story from Superman #137, featuring Superman's evil duplicate, Super-Menace. I reviewed the same issue many moons ago.

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#649 - The just concluded Tarzan Sunday strip

Người đăng: lecuongle on Chủ Nhật, 3 tháng 11, 2013

Thanks to Emile, we have the just concluded Sunday Tarzan strip - The Compleat Collector. (Yes, there is a spelling mistake in the original name)



















Download from Emile's original links.

English

Spanish

Enjoy and shower your thanks to Emile.

HAPPY DEEPAVALI TO ALL VISITORS
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Another Superpower that Time Forgot?

Người đăng: lecuongle on Thứ Tư, 18 tháng 9, 2013

Mark Engblom had a lot of fun with these a few years back but here's one he missed.  Apparently Superman can shrink or expand his muscles at will:

In the story, Superman is supposedly out of town and so Lois hits on the bright idea of having Clark dress up in a suit to foil some gangsters.   Incidentally, it is often mentioned that DC took Siegel & Shuster off the comics when they filed their copyright claim in 1947; this (April 1948) issue appears to be the first without their credits on the title page, and the artwork is definitely sub-standard.

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Who Is Killing the Great Capes of Heropa? Review

Người đăng: lecuongle on Thứ Ba, 3 tháng 9, 2013

What do you do when someone offers to let you review their novel, as Andrez Bergen did, with Who is Killing the Great Capes of Heropa?

1. Just say yes, in the hopes it will just go away.
2. Just say yes, and sweat it out thinking it won't go away.
3. Just say yes and hope that it won't be as awful as you think and maybe you can get away with talking about some good points.
4. Just say yes and be completely blown away by how terrific the novel is and only worry if you can come up with enough words to praise it.

Um, I'm going to go with #4.  Seriously, this is a terrific novel for anybody who loves comic books. And probably anybody in general, although it is harder for me to judge that because I was so wrapped up in the comic book goodness,

This is a great, entertaining book. I described it (based on the first two chapters)  for a blurb as Sam Spade meets the Justice League.  My bad.  It's Sam Spade meets the Justice League meets the Holodeck meets the Watchmen meets... well, I don't know.

It's just so cool a plot that I don't want to spoil it, but this only gives away about a third of the story:

The main character, Jack, is a 15-year-old lad from a post-apocalyptic Melbourne, Australia.  He joins a virtual reality universe where he can become a superhero, a member of a team called the Equalizers, who do constant battle with the Unmitigated Rotters.  While there he finds love, and must unravel a mystery.  The virtual reality universe is breaking down, and the rules (Comics Code Authority rules, no less) are being broken.  Heroes and villains are being killed, and worse, a death in the virtual world has similar consequences in the real world of Melbourne.

That is the plot, basically, but oh, man, the writing blows that out of the water.  There are Easter Eggs galore, to the point where the Easter Bunny union is probably writing up a grievance that they cannot carry all of them.  Some are obvious, but others definitely will take some Googling; in a way that is a huge advantage today compared to yesteryear.


I won't go into more detail about the plot.  It moves forward briskly, with frequent surprises, to a very satisfactory conclusion.

I do have two criticisms, one major and one minor.  The major problem with the book is that it was too short; couldn't Andrez have squeezed another thousand pages out? ;)

The minor criticism is that Jack seems just a little too savvy and sophisticated for a 15-year-old.  Perhaps this is because his virtual reality character is an adult?

However, that's a quibble in the bigger picture. This is a terrific novel, and I look forward to reading more by Andrez.

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